Dangdut Music Indonesia
Dangdut constitute either one genre art music one that amends at Indonesia.Form this music is potbound of Malay Music on year 1940.
In evoluasinya wends to form kontemporer currently comes in music elements influence India and Arab.
Changing Indonesian politics current at year-end 1960 open its inputs west music influences that strong with its input purpose guitar electricity and also its marketing form. Since year 1970 dangdut so to speak was ripe deep its form kontemporer's ones.
Name reeling "dangdut" constitute onomatope of tabla's game voice (in dangdut's the world is called drum only) one that typical and
dominated by sound dang and ndut . This name for that matter is titled cynical deep one early magazine article 1970 divides to form malay music that really popular among society brazes that time employ.
Even song dangdut can accept various other music elements one easy way, building a large part dangdut's song so conservative, largely laps over from satuan eight birama 4 / 4. Scarcely over found dangdut's song with birama 3 / 4, but in many term song 1960 as Burung Nuri and seroja .
dangdut's song also indigent improvisation, well Melody and also harmony. As music of dance attendant, dangdut really rely tabla's knock and sinkop
Song building form dangdut in common is: A A B A,
but in application most has thread to become like it:
Intro - A A Interlude - B (Reffrain) - A Interlude - B (Reffrain) - A
Intro can be in the form of vocal without accompaniment or shaped flute game, rest is guitar game or plectrum. long intro can achieve eight birama.
Beginning part is compiled from eight birama, with or without reduplication. If found reduplication, can be interrupted with a rest game line (interlude). This part is usually lyrical messenger about song contents, situation that is faced the singer.
Dangdut constitute either one genre art music one that amends at Indonesia.Form this music is potbound of Malay Music on year 1940.
In evoluasinya wends to form kontemporer currently comes in music elements influence India and Arab.
Changing Indonesian politics current at year-end 1960 open its inputs west music influences that strong with its input purpose guitar electricity and also its marketing form. Since year 1970 dangdut so to speak was ripe deep its form kontemporer's ones.
Name reeling "dangdut" constitute onomatope of tabla's game voice (in dangdut's the world is called drum only) one that typical and
dominated by sound dang and ndut . This name for that matter is titled cynical deep one early magazine article 1970 divides to form malay music that really popular among society brazes that time employ.
Even song dangdut can accept various other music elements one easy way, building a large part dangdut's song so conservative, largely laps over from satuan eight birama 4 / 4. Scarcely over found dangdut's song with birama 3 / 4, but in many term song 1960 as Burung Nuri and seroja .
dangdut's song also indigent improvisation, well Melody and also harmony. As music of dance attendant, dangdut really rely tabla's knock and sinkop
Song building form dangdut in common is: A A B A,
but in application most has thread to become like it:
Intro - A A Interlude - B (Reffrain) - A Interlude - B (Reffrain) - A
Intro can be in the form of vocal without accompaniment or shaped flute game, rest is guitar game or plectrum. long intro can achieve eight birama.
Beginning part is compiled from eight birama, with or without reduplication. If found reduplication, can be interrupted with a rest game line (interlude). This part is usually lyrical messenger about song contents, situation that is faced the singer.
Drum or tabla, one of the major musical instrument dangdut.
Song dangdut standard doesn't has refrain, but has second part with different melody building with first part. Before enter second part usually found twice eight birama rest without leers (interlude).
second part usually along from twice eight birama with is interrupted a line rests without leer. At end second part sometimes found koda along four birama. Leer second part usually full consequence from situation that is described first part or pisaller the singer to answer that situation.
After second part, song is repeated full from beginning up to end. song dangdut ended in first part reduplication. Song dangdut ended with fade away.
Dangdut really agreed on many circles as music that bring class society circle aspiration under with all modesty and kelugasan. This individuality is looking-glass from leers with the song building.
Although assumed as hem music and class society music under, but admitted or not, now dangdut be part from khasanah Indonesia music. This music fan is even also not again limited certain class society. Because, this music fan now merata at every social class.
This matter is because music dangdut is assumed has several surplus, so that assumed proper to listened. Several surplus from musics dangdut this is among others:
- Leer music dangdut inclined simple, so that easy to understood the meaning.
- Music melody oscillation dangdut inclined appropriate to be companion moment swing. so that, there a term that mention to shake dangdut.
- Castanets that used to play dangdut simple enough, so that not too difficult to play dangdut.
- Crooked dangdut songs unique enough to be heard, thus, often sounded distinctive and refreshing and different from other kinds of music.
http://www.youtube.com/watch?v=KzaAl2xZvj8
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